Poetry

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Triumphal Arch

by Lionel E. Deimel

 

The arch that Trump would build at bridge’s end 

Is unlike arches built by ancient Rome.

It celebrates no triumph won by arms,

No great event that ne’er should be forgot.

It’s nothing people really want or need,

Not something that will make our country great

Or beautify the city where it stands.

 

Perhaps the arch denotes Republic’s end,

The product Trump has sought to bring about.

He says it marks a birthday of the state:

Two hundred fifty years beyond its start.

Who knows the year when arch work might be done?

Who knows whence funds to build the arch might come?

 

The arch’s size is grand beyond all sense,

The product of a narcissistic mind,

A monument twice tall as any arch

That can be found in countries ‘cross the world.

The thing will dwarf the nearby Lincoln shrine

And mock all sense of modesty’s restraint,

With golden words and golden figures three,

Whose frieze eschews the Great Seal’s ancient words

For controversial thoughts torn from the Pledge.

 

Atop the arch rests wing′ed Liberty

About to fly from this benighted land.

 


The National Park Service has asked for public comment on the design of Donald Trump’s triumphal arch. I had been reviewing the plans for the arch in preparation for submitting my own comments. I decided that, in addition, I would write a poem about Trump’s monstrosity. That poem is what you see above.

There was so much I wanted to say about the arch that I believed that I would need longer lines than usual. Further, because of the specifics I wanted to communicate, rhymes would clearly be hard to come by. I therefore chose to write in blank verse, with all lines in iambic pentameter meter.

Most of the poem is straightforward, but a few lines require some clarification. The “golden figures three” are apparently two eagles flanking what what seems to be Lady Liberty with wings. I don’t understand the intended iconography here, but my interpretation that Liberty is about to abandon her benighted land does not seem unreasonable. Clearly, the designer(s) had something else in mind.

The frieze on the front elevation reads ”ONE NATION UNDER GOD” set in Trump’s favorite color, gold. “LIBERTY AND JUSTICE FOR ALL” is similarly positioned on the rear. These snippets are clearly derived from (“torn from” in my poem) the Pledge of Allegiance. The first inscription at least makes sense. The second  is a phrase in search of a substantive it can modify. It might be appropriate on a Justice Department building, but it functions poorly here.

More troublesome is the fact that both inscriptions represent aspirations, not facts, and not aspirations shared by everyone. ”ONE NATION UNDER GOD” is particularly problematic. The Pledge for many years read “one nation, indivisible.” “Under God” was added during the Red Scare of the 1950s, but the indivisibility of the Union is the important point made in the Pledge, not the nation’s relation to God. (God should have no relation to the government at all, but I digress.) It would make sense to replace these two propagandistic inscriptions with two mottos from the Great Seal, E pluribus unum and Novus Ordo Seclorum, which have the dual advantages of ancient usage and uncontrovertibly appropriateness.

The other notable property of the proposed arch is that it is more than twice as tall as any triumphal arch in the U.S. and, I am nearly certain, any such monument elsewhere in the world.

I began writing the poem 7/22/2026 and finished it 7/24/2026.

— LED, 7/25/2026

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